Thor:Ragnarok
Thor ragnarok full movie in hindi , 480p , 720p , 1080p (dubbed in hindi)
Thor: Ragnarok
The director Taika Waititi brings exuberant visual wit and comedic sensibility to the latest Marvel extravaganza. Chris Hemsworth again plays the hero with the hammer; this time, after the death of his father, Odin (Anthony Hopkins), Thor must fight his vengeful sister Hela (Cate Blanchett) to save his home planet of Asgard and its residents from her wrath. But, before he gets there, he’s taken prisoner on the remote planet of Sakaar and forced into gladiatorial combat against a fearsome monster—who turns out to be none other than Hulk (Mark Ruffalo). A lively set of supporting characters, including a Valkyrie (Tessa Thompson), an Asgardian warrior (Idris Elba), and a creature made of rocks (Waititi), contribute heart and humor. Waititi makes the most of the churn and flash of battles and settings realized with C.G.I., filling the screen with wild whirls of color, launching characters and vehicles into loopy trajectories, and shifting from place to place with an antic sense of surprise. Even the long exposition and the sentimental ending can’t burst the giddy bubble.
A multimedia festival of creative revolution, centered on the years 1962-64, is under way, with Film Forum offering an international slate of movies, Film at Lincoln Center presenting underground and experimental cinema, and the Jewish Museum revisiting its own prominent role in the artistic avant-garde of that brief span. Among the highlights of Film Forum’s program of familiar masterworks and popular classics is Agnès Varda’s second feature, “Cleo from 5 to 7” (screening July 27-28 and July 30), which turns a trope of modern philosophy—the consciousness of death—into a passionate outburst of dramatic imagination. The title character (Corinne Marchand) is a pop singer in Paris who, during the two hours in question, is awaiting the results of a test for cancer. Whether rehearsing in her loft (the composer Michel Legrand is her pianist) or wandering the streets, Cleo finds ordinary life suddenly imbued with an intense and urgent sense of wonder to match the fear of life eluding her grasp. Varda turns a close observation of Cleo’s desperate whirl of activity—complete with the enticement of fashion, the delight of the movies (including a comedic film-within-a-film), and the hope of new love—vertiginously introspective.
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